Showing posts with label The Mummy. Show all posts
Showing posts with label The Mummy. Show all posts

Monday, May 11, 2015

The Night of counting the years...

Almumiaa (the mummy) is an Egyptian movie written and directed by Shady Abdel Salam. The movie is shot in 1969 its main idea is robbing the monuments. The movie is based on a true story, the discovery of ancient Egyptian monarchy tombs in El Deir El-Bahary in 1881. This movie is considered as an experimental narrative movie, as it shows an idea in a story form from the director’s point of view.

A tribe called “Al Hurabat” lives with a great secret not everyone in it knows. The secret is the ancient Egyptian tombs inside the mountain they live by. They raid on these tombs and rob it; they steal the gold that is kept inside. The death of the tribe’s chief leads to problematic consequences.

 The movie starts with the funeral of the tribe’s chief “Salim”, so, after Salim’s death, his two sons are supposed to know this secret and protect it. A great problem appears by the time the uncle tells his nephews about the secret, as the older son refuses what they do. He decides to leave and tries to convince his younger brother too, but he refuses. After a fight with the uncle and a decision to leave, the young man gets killed by one of the tribe members.

“Wanis” the young son feels lost after knowing the secret, and also has an inner conflict between being like his father and ancestors, and being a different person like his brother. He keeps wandering in the valley suffering from his inner struggle, when he meets a stranger. This stranger works for the archeologists whom they call “Al Afandia”. After Wanis met this stranger, his tribe attacks this stranger and tries also to kill Wanis himself like his brother in order to protect their secret.

“Murad” a stranger servant who works for a trader called “Ayoub” and works for himself too. He runs a prostitute’s house for the tribe’s members. Murad tries to make Wanis get the gold from the tombs and have it only for them both. When Wanis discoves the prostitute’s house and his brother’s murder, he decides to choose his dead brother’s side. Instead of doing what Murad Said, Wanis tells the archaeologists’ chief “Ahmed Kamal” about the tombs and where to find it. Ahmed Kamal then takes his men and go inside the tomb taking about 40 mummies of ancient Egyptian kings.

The exposition of the movie is the death of the tribe’s chief, which leads to the rising action which is the fight between the older son and his uncle. The conflict starts to be crystal clear by telling the two young men their tribe’s secret, as the older son refuses to live this mysterious life like his ancestors and fights with his uncle. There are three conflicts in the movie, the first is an external conflict between the archaeologists and the tribe, the second is an external conflict between the elder son and his tribe, and the third is an inner one inside Wanis; either to be like his father or being like his brother. The Climax of the movie is when Wanis discovers his brother’s death and this leads to the falling action when he tells the archaeologists’ chief about the tomb. The resolution of the movie is that the government’s archaeologists took the mummies from the tombs to Cairo. 
Abdel Salam used many special techniques of the plot. He used foreshadowing in certain scenes to increase the interaction between audiences and the movie; he let them expect what is going to happen. Suspense is a main theme in the movie through the lighting, camera moves, and the actors’ face expressions and their body language.


In Conclusion, I think this movie is one of the best movies ever. The movie is very informative, so after one watch it they would get good information about the Egyptian history. The movie mainly depends on the performance of the actors and the camera movements, as there isn’t much dialogue. I think this movie is incredibly genius.


Wednesday, March 18, 2015

Shady Abdel Salam… Birthday of a Modern Egyptian Pharaoh



When you watch Elizabeth Taylor's movie "Cleopatra"; the only image you'd get about the movie is her golden dress, the fascinating dress that still takes my breath away as if I see it for the first time. The whole credit of this dress goes to the genius designer Shady Abdel Salam.

Shady Abdel Salam…

Shady Abdel Salam is an Egyptian director and designer; who was born in Alexandria on March 15, 1930. He got graduated from Victoria College on 1948, and then he went to London where he studied theatre arts till 1950. When he got back to Egypt; he joined faculty of fine arts in Cairo, where the famous Alexandrian architect "Hassan Fathy" taught him the Islamic architecture arts. But, he was in love of ancient Egypt...


Contributions in Cinema

Abdel Salam joined the cinema world as a décor designer, as his career officially started launched by taking part in designing the mise en scene of the Polanyi movie "The Pharaoh" that was directed by Kavlirovich. He also joined as a co-director and clothes designer in some of the most famous movies in the history of cinema like the Egyptian movie "Waa Islamaah", the Italian movie "The civilization", and the American movie "Cleopatra". (The golden dress I know ♥)

Genius Director!!

Shady was also a great director as he directed few movies himself, as he made some of the most important short movies in cinema like "Armies of the Sun" in 1974, "The Golden Chair of Tut Ankh Amun", and "The Eloquent Peasant" in1970, which tells a story of a ancient Egyptian peasant who was brave enough to tell his complains to the Pharaoh without fear. He also directed long movies like "The Night of Counting Years" a.k.a. "The Mummy" that won lots of awards in many global film festivals.

The Mummy…

"The Mummy" is considered Abdel Salam's masterpiece, and considered a highlight in the Egyptian cinema, as it's the 3rd in the order of the most important 100 movies in the history of Egyptian cinema in the past century. The movie treats the "identity" problem and how to preserve the Egyptian heritage and identity. 

"The visual impact the film leaves on the spectator is ever-lasting as Abdel Salam aimed at expressing the essence of things and sought artistic narration through image, architecture, light and colour rather than through dramatic action, literary narration or linguistic dialogues. The abstraction, silence, slow rhythm, and dignified movement of the actors allow the spectator to focus on the visual elements and reflect on their dramatic value. Moreover, Abdel Salam’s choice of classical Arabic contributed to the monumental influence of the film which stands out as a great epic peopled with larger-than-life characters." as mentioned on Bibliotheca Alexandrina's website.

Unaccomplished dream...


Shady's next massive project after "The Mummy" was "Akhenaton"; that was never completed because of the lack of Egyptian financing for it. He spent 12 years in preparing, doing intensive researches, designing and carrying out the clothes in his own atelier. Although he received lots of offers from foreigner producers, but he insisted that this work had to be a pure Egyptian art work. 







 Message

 Shady Abdel Salam had lived for a certain goal, he aimed at preserving the Egyptian history and make the coming generations aware of it with the simplest means for them. He showed his message in each and every detail in any work he had contributed in. He died in October 8, 1986 because of cancer, without finishing his

"I think that the people of my country are ignorant of our history and I feel that it is my mission to make them know some of it and let the others go on with the rest. I regard cinema not as a consumerist art, but as a historical document for next generations." ~Shady Abdel Salam